Thursday, May 17, 2012

The June 1st Project

The June 1st Project

We’re asking you, on June 1st, to make a video, reblog a post, post a status, tweet, or write a good old fashioned letter to spread the word and take a stand
A lot of people realize that banning same-sex marriage is unconstitutional. But of those outspoken and soft-spoken supporters, not a lot of people are able to tell you exactly why. 
That’s what we’re here for.
Check out the description on the facebook page for some great evidence from the Constitution.

Starting May 17th, we’re going to start contacting various people and encouraging them to spread the word. We’ve got an ambitious list: John and Hank Green and a good portion of the rest of the Youtube community, actors and actresses like Dianna Agron and Matt Bennett, and prominent authors like Tahereh Mafi and Maureen Johnson - all their names are written on a beat-up scrap of paper, and we want to add yours to the list. So do what you can. Upload a video to Youtube, reblog a post on Tumblr, share this page on Facebook, and make sure to let your voice be heard on June 1st.
 We want this to go viral.
Now, we may not change much. We may get only three videos, six responses, or maybe just one lone status. And we may be naive in thinking a few kids can help change the course of history, but maybe that naivety is what we need. Maybe we just need a little optimism. Maybe we just need to put one foot in front of the other, and see where this thing goes.
So let’s try it.


Wednesday, May 16, 2012

All the words, printed on paper. Classic!

Found this ad on sparknotes:

Considering how much time I spent learning about the remediation of text and the textual space in my Fall semester 2011writing class, this is how I first reacted:




 

Then, I took another look at what it said:  All the words, printed on paper. Classic! 



 

The printed word is now considered classic??

Am I really that old??




Saturday, April 28, 2012

Trans* man in a dress


April 16th, 2012
I am a trans* man in a dress.
I put this dress on this morning, thinking why the hell not,
After a quick look in the mirror, I squared my shoulders and almost ran out the door before I lost the balls to wear a dress today.
It’s interesting, knowing I’m a man in a dress, while all others see is some chick with short hair, a nose ring, and hairy pits.
It’s liberating in the most surprising of ways to know that I am a man in a dress today, even if others know not.
It’s empowering and emboldening to wear a dress today. While others wear dresses and think nothing of it, I am a man, wearing a dress. It means something different to be a man and wear a dress. It means something even more different to be a trans* man and wear a dress.
It means that I am acknowledging my identity of a man and somehow lessening that identity by wearing a dress. Something so simple as a piece of fabric apparently has the power to erase an entire identity.
I think about it quite differently. Being a man and wearing a dress means that I am picking up my identity and molding it with my bare hands rather than accepting the clean-cut, cookie cutter, mass-produced identity typically forced upon people at birth.

The Figure of a Man



            My body is not like home, but is the only place of residency I have ever known. There lies no warm, soft bed within my walls, nor is there a dog bounding to the door upon my return. A sloped, sideways grin does not stretch upon my face upon the thought of my body. No ball of joy warms my stomach to sit night after night in my body, nor do I ever sit comfortably in my own skin. I do not wish it to remain as such, forever to be remembered in this way. My body is not the safe comfort zone I can retreat to in times of pain, misery, or despair, nor is it a place I can look to when in need of reassurance. You see, it is the source of my pain and misery, my torment and despair. It is the source from which I can never run or hide; it is everlasting in its presence.
This body – my body - is a man’s body. The two handfuls of heavy flesh on my chest are a man’s breasts. The miniature hands, tiny feet, and delicate features of my face are the hands, feet, and features of a man. The plump, ample curves outlining my figure are the contours of a man’s physique. The hooded clitoris between my legs and the folds of skin within which it resides are the genitalia of a man. Every knob of bone, patch of skin, and mound of flesh on this body – on my body belongs to a man. This whole, entire body - my whole, entire body - belongs to a man, and that man is me. This is the mantra I repeat in my mind all day. It is this mantra that reminds me how I wish to think and feel about this- my body one day and not second-guess myself.
Today, this place I inhabit weaves the hollow tones of lament rather than the radiant melodies of the ballad I hope it becomes. I have this deep and echoing carnal ache for my body to be congruent with who I am in my own mind. I yearn to wake one morning able to breathe a sigh of relief and not of despair- for it would mean I would no longer feel the acceleration of my heartbeat as my cheeks burn with the heat of the agonizing humiliation of the ever-present discord between my body and my mind.
            Waking up everyday in my body is like waking up in a place you don’t recognize. You’re groggy and sleep is heavily fogging your mind (vision?), and when your eyes open, your surroundings slowly come into a blurry focus. You don’t recognize this place you find yourself in and in an instant you are wide-awake with a panicked jolt of electricity flowing through your veins.
            For me, that moment of panic is replaced with a deep, dark dread; dreading that moment of clarity after the fog clears from my groggy mind (vision-?), dreading the jolt of angry electricity shoot through my veins. I dread waking up, only to come to the realization that my surroundings- my body, is one I recognize. The panic only comes after the same realization hits every single morning that my body is the same as it was the day before. The panic comes in arriving to the same agonizing conclusion that my body will continue to be the same every morning after this one. The agony in my inability to change my body- though I’ve tried in the past, it refuses to shed the curves of a woman. It refuses to gain the toned muscles of the man that I am. It refuses to allow these breasts of a woman to flatten out, and it refuses the clitoris of a woman to grow into the penis of the man that I am. In the half hour that follows, I drag my heavy carcass out of bed and gather a shirt, shorts, deodorant and my binder, I shuffle to the bathroom, dragging my unwilling feet along, forcing them to take me into the bathroom. My tiny, delicate, callused hands shut the door, as it echoes and locks me inside like a tomb. If logic didn’t remind me that I am 18-years-old and should not be afraid of the light, I would never flip that daunting switch on. I close my eyes as I feel the lights click on with a constant low buzz in my ears.
            Finally, with a defeated sigh, I open my eyes and quickly avert my gaze from the reflection I see before me. Though this happens, quick as lightning, the damage has been done, the image seared into my brain as if branded there by hot iron. I shove away all potential thoughts as I pull down my pants and stare at the toilet as if waging a battle. As a new wave of thought and emotion is about to wash over me, I pushback with energy I didn’t know I possessed, smacking the wave back behind ever-weakening walls in my mind. I continue through my morning routine- though it is hardly routine for anyone else, with a zombie-like blank stare. Carefully avoiding that reflective glass, I gather my school things and walk out the door, far from ready to face myself- let alone other people, hard classes, or even the day itself.
            I lose myself in the hustle and bustle of people getting to class and worrying about tests or what they can’t remember from the party the night before, as I make my way to class. As soon as my first class begins, I throw my mind fully into whatever we are studying, focusing and honing in on each little detail, writing it, reading it, speaking it and doing it so that I am fully engaged, with no room for any other thought or worry to cross my mind.
            So the day goes, with me only living a half life- seemingly present in all that is happening, but really hiding in being so “fully” present. It isn’t until I return to my room, exhausted from my mental efforts of pushing away that it all comes flooding back- back to the place I awoke in that very morning- back to the panic and dread and agony of feeling trapped- and back to the place I am forever uneasy in- treading so carefully I could be tiptoeing in the place I am so familiar with, yet is so damn unknown to me.
            Anguish. That’s the word; if ever one existed, to describe these feelings about my body. Sometimes, I feel nothing, nothing at all. Just kind of numb, I guess. It’s about plans, I think. Plans not carried out the way they were planned leaves room for uncertainty and the potential need to actually think about something. I can’t just go about my day in my normal state of faux-presence; I actually have to think in the moment at the times plans don’t work out the way I intend them to.
            Then there are those random, unexpected times that thwack me in the back of the head, knocking the wind out of me until I lay broken in pieces on the floor. Times I don’t know will happen- like hitting traffic on a long bus ride. The ride goes from four to five hours long. Four hours I expect. Four hours I can handle. But the additional hour out of the blue pops out of nowhere and all of a sudden I’m faced with an entire hour I don’t know how to fill…an entire hour without internet or food or things happening; an entire hour with nothing to distract me from my own thoughts.
            As the music on my ipod flips to a song that reminds me of home, my mind wanders to thoughts of what I miss most- the ocean, the water, the beach; swimming, laughing, moving through the water. My thoughts shift to scenes of swimming and water polo. I vaguely make plans to go swimming the next week, thinking I can handle wearing a girls’ suit as long as I can be in the water again. I imagine moving through the water. Before taking a single stroke, I feel the water on my skin.
            Warning bells go off in my head; these are the thoughts I barricade my mind so carefully from. But the cogs are already turning and I can’t stop the flow of images. I imagine the water engulfing my body and washing over every inch of my skin. As I realize I won’t feel the water rush through my legs, over my testes, or around my penis, a sinister swell of the most profound anguish imaginable crashes over me. The desolate, numbing emptiness that floods my mind is so damn loud in its utter silence- akin to the grief-stricken howl of a new mother finding out that she will outlive her child.
            The anguish envelops me in its intertwined tangles gushing through my head, wrapping itself around every limb of my body, flooding my throat and stomach with angry bile, choking me. I am frozen in the water, as if someone pressed pause on a movie. As the initial wave of anguish subsides ever so slightly, the searing image shatters, immediately replaced with the black, blank pane of nothing; the wall, the barrier I so rigidly maintain. With a cringe of bleak hopelessness, another wave of anguish sucks the air from my lungs, and I am bitterly reminded why I must so rigorously maintain the internal façade of blank, black nothing.

Friday, December 16, 2011

All the things meme

found this meme while browsing the interwebz the other day...thought my writing Professor might enjoy it. brings up the question of writing, text; what is writing; what is considered a textual space? it's basically the theme of the entire semester found in one meme...

Interesting Twitter-Language Maps

Eric Fischer used data from Twitter to map out tweets according to language globally. He made maps of the world, and a closer view of Europe. Just thought these were interesting, considering the Twitter project my writing class did this semester...it makes me wonder why people use Twitter, and for what purpose(s)?

Sunday, December 11, 2011

Anticipating readership (9 of 12) **To add to later**

When you put on text (on your person- as clothing/text, tattoo, or jewelry), do you honestly anticipate readers?

Before we get dressed in the morning or when we buy the shirt?
Are we dressing for other people?

Monday, December 5, 2011

Crayon Response Transcribed (8 of 12)

First is a photo of the paper with the text itself. The transcription can be found below the photo.


I'm going to have to agree with Zadie

Smith. I think people who are able

to take on multiple different voices

are capable of adapting themselves

to different situations. Language

is a very powerful tool, and its

reperassions can go beyond the

simple act of conversation. A

person able to mold modify the way in

which they communicate are also

likely to be able to modify other

things (ie, thoutght, ideas) depending

on the situation.




Irina F.


Crayon Critique (7 of 12)

Consider the material nature of the crayon response you are reviewing – this is not your own writing! Is the writer influenced by the writing implement s/he uses? Is the writer more expressive or less expressive as a result of the physical constraints of the crayoned page?

Is this writing any good? How do you know that it is good (or not)?


In this written response, the writer appears to be influenced by the crayon she is using. She seems to be less expressive in the volume (amount) of writing on the page, and her writing contains little to no grammar outside of simplistic usage of periods and capitalizing at the beginning of each sentence. While multiple contractions are intended, she fails to use the proper punctuation requiring this intent to become usage. Some words are spelled incorrectly as well. Regarding the volume of text on the page, she uses almost all of the space available on one side of the page, but only fills 13 lines of text. A lined notebook page, or even the standard 12-pt-font typed page uses many more lines of text to fill the page.

I think this writing is good, but seems juvenile beyond the usage of crayon. Her argument is an interesting one, and has the potential to be good, but there is a lack of support. There seem to be some missing steps of logic from one sentence to the next- as if her brain was thinking faster than she could write (or she couldn’t write as quickly as her thoughts came). It’s possible that the use of crayon impeded her ability to record her thoughts. A pen or pencil flow much smoother than a crayon, and can more quickly fly across the page.

Twouble with Twitter (6 of 12)

This post is a response to this parody of twitter, found on youtube:



Respond to the character's question as he enters the twittersphere:  "Who are they talking to?"  Do you wonder who your audience is when you post on twitter?  Do you feel differently about your audience in online writing environments?  Is your relationship to your online audience distinct?  Who do you imagine is reading your tweets, for example?


This animation clearly doubts the viability of twitter as a valuable tool?  What do you think?   What is the purpose of microblogging?

I agree with the view this video presents- people are talking to everyone and no one at once. Actually, I don’t even think it’s talking. Reading someone’s twitter posts is like taking a cross section of their mind- every passing thought as they go through life. I’m not even sure if stream-of-consciousness thought can be directed at anyone specifically…I mean, who do you direct your thoughts to?

I don’t really use twitter…I have one, but discovered quickly that it’s a social media that people expect you to use EVERY SECOND OF EVERY DAY or not at all. I think it would depend on the reason why someone starts a twitter as to whether or not they think about their audience. Some people start twitters for an organization or a youth group as a way to update others on events and happenings that those groups host or participate in.

I think the relationship between an online audience and the tweeter can be distinct. For example, two classmates might follow each other on twitter, but may not speak at school. Twitter also allows the safety from immediate, direct (and physical) consequence upon putting a thought out in the twitter universe than saying it to someone’s face. This allows for the creation of a persona (or multiple)- different voices, perhaps. Some people have a persona at school, and express their ‘true’ voice via twitter, or vice versa.

I think this video underestimates the power and influence twitter can give/have on someone- whether it’s over their own life or someone else’s. While some random thoughts in one person’s head are in response or reaction to some situation or person, all the tweeter’s audience receives is that thought- not the context in which it came. I think that is a possible unforeseen danger in twitter. On the flipside, twitter can also be used as a means to gather or rally people on a particular topic. It allows for live updates from awards shows, or it can provide live questions from an audience around the world to people interviewed on TV. I think the video doubts the viability of twitter as a valuable tool for everyone- I do believe twitter is a very important tool of the media, but that might not be such a good thing…

Twitter as a writing space (3 of 12)

What I really think about the writing space that twitter affords is...a textual space encouraging expression within a confined boundary. Twitter is more a textual space than a writing space because you can do more than just put words in your tweets. You can post pictures and link to almost anything you want. It also allows for small conversations to happen between any sort of person. People one might not see every day in day-to-day life you can tweet at and have a conversation with.

A tweet's purpose is for a short quip; a snippet of information about what is happening in real life. A tweet is like one's internal commentary on a situation- twitter provides a space for everyone to comment and give their opinions on life in real time. This raises a few interesting questions: Is twitter a place of legitimacy? Does this place provide validation for people's thoughts and opinions? Do people use twitter as such?

Portable writing (2 of 12)

I'm not sure why so many people war texts on their clothing and on their skin. Perhaps they feel that such portable writing serves to...make a statement about who they are. Some people choose their clothing very carefully every day, while others just throw on the first thing they find, but I would venture to say that the majority of us choose clothing we like to have in our wardrobe (what we have accessible to us to wear). Tattoos are a different story, I think. Every person I hvae ever met with a tattoo (that I notice), I ask about it. Tattoos almost always mean a great deal to the people I've spoken with. It was something very important/with a lot of meaning to them for them to even consider getting it permanently inked into their skin. I think clothing might be less of a permanent statement about ourselves than tattoos. But to some people, clothing is a way of life...Although the experience for transgender* people differs by individual, for me, clothing is my statement to the world that my gender is not defined by society's cookie cutter outlines. For other transgender* people, however, clothes can tell the world that individual identifies as a particular gender not typically associated with their genitals.

Sunday, December 4, 2011

LIVE





Presidents and Poets (5 of 12) **to add to later**

To conclude her essay, Zadie Smith discloses: "In this lecture I have been seeking to tentatively suggest that the voice that speaks with such freedom, thus unburdened by dogma and personal bias, thus flooded with empathy, might make a good president" (192). However, she rejects this claim by advocating for the many-voiced role of the poet. What is the difference between the rhetoric of a president and that of a poet? Does Smith suggest there should be a difference?

 

Friday, December 2, 2011

Dance with me, dancer

When I found this quote:

"And we should consider every day lost on which we have not danced at least once."
- Friedrich Nietsche

I immediately thought of the italicized line in Robert Hass' poem, The Problem of Describing Trees

You can find Hass' poem here.

Wednesday, November 30, 2011

My next [rhetorical] move will be... 11/2/11

I keep thinking about my project 3, and I'm pretty sure my next [rhetorical] move will be to step away from my topic a bit; to make some distance between the topic & the reader. I've used metaphors and personal narrative to draw the reader in and to help him/her/hir understand my view, but now I need to come at it from a distance.

*add in the distance to the beginning to give framework & foundation*

A sentence starts out like... 10/28/11

A sentence starts out like a new puppy waking from a nap. It slowly but surely rolls over itself, with a cloudy sense of clarity, unsure of its surroundings. It blinks a few times, bringing more into focus as the seconds tick by, with each letter that appears. After getting up, the puppy suddenly stands, swaying slightly, beginning to stumble along. Its young hips swing to and fro as he weaves with a drunken mind, not knowing where he's going.  After circling his spot once, twice- even three times, this drunken puppy collapses with exhaustion onto the carpet, allowing his eyes to once again droop slowly shut.

If walls could talk... 10/28/11

Michael Wesch's A Vision of Students Today
 
What is his argument?


Although technology has helped society & the world make huge strides for centuries, it has taken away, or further removed us from the knowledge we are actually seeking or looking at. For example, the microscope has helped us see the details of the microscopic world and learn the parts of a singular blood cell, but what has been happening in real life  around us - without us - during that time?? Students, especially, are getting so drawn into this world of technology, as the years pass, we are less and less able to experience what's actually around us. If I was analyzing this  as a teenager's life, I would say our society is unconsciously using technology as an escape from the larger problems physically surrounding us

The Problem of Describing Trees (1 of 12)

Please read this poem by Robert Hass, first.

Hass' argument in the poem linked above is that language - words, rather - has its limits. There are things that cannot be described using words. There are also things that have been described using words, but those words don't always capture the essence of it. Hass uses trees as an example. The movement of trees is often described as dancing in poetry, but he points out that this word, 'danced,' does not capture that movement. He attempts to use another word before stating his argument. He gives an example- an application, of his argument before the reader realizes that he is making an argument.

The italicized line, "Dance with me, dancer. Oh, I will," can mean 2 things. Rather- I see 2 scenarios of who is speaking and to whom they are speaking. The poet could be reflecting on his experience of the movement of the trees; the trees are asking the poet to dance with them. What makes more sense in analysis of the poem, however, is that the poet is speaking to the reader- telling the reader he will play the game of attempting to describe the trees as long as the reader will participate.

Extra note: words as representations- a la Plato's Allegory of the Cave